Location: | New College, Wilson Hall 523 |
Classes: | Wednesdays, 6:10-9. |
You should be aware of the WALKSAFER program: 978-SAFE. | |
If you are wondering whether bad weather might cause the campus to be closed, phone 978-SNOW. | |
Instructor: | Professor Carol Percy |
Course Pages: | http://cpercy.artsci.utoronto.ca/courses/eng201-2002.htm |
New WebCT address: click here | |
Office: | New College, Wetmore Hall 125 (near the registrar's office, before 6pm) |
Office hours: | For this course, TBA once I've got a sense of your schedules. Also Tuesday 12:15-1, Thursday 11:15-12, or by appointment |
Telephone: | 416-978-4287 |
Email: | cpercy@chass.utoronto.ca |
Mailbox: | Hand in your work in class, or to the porter at Wetmore Hall |
Calendar description
An introduction to poetry through a close reading of texts, focusing on its traditional forms, themes, techniques, and uses of language; its historical and geographical range; and its twentieth-century diversity.
Section (L5101) descriptionThe poetry we'll be looking at is arranged in more or less chronological order, from Old English through the twenty-first century. They're also grouped in units, each unit focussing on a literary or poetic topic (e.g. vocabulary, figurative language, verse forms, rhythm, etc.). You're responsible for reading and thinking about everything on the syllabus, although we will discuss only one or two poems in depth. Occasionally during first term I’ll put a more recent poem on the list: enjoy.
By the end of the first term, we'll have looked at a sample of poems up to about 1800. In the second term we'll continue the chronological approach, while emphasizing modern diversity. You’ll also have a chance, in your group presentation, to consider the cultural function of poetry in Toronto by attending and analyzing an event.
The assignments are weighted rather heavily towards the second term. In first term, once enrolment has settled and I’ve sorted out the “bulletin board” software, I’ll be expecting you to submit several brief, inquisitive, rich directed responses to the week’s readings (best 2 = 5%), and to engage thoroughly in the course material and class discussion, exercising your interpreting skills and building your competence and confidence.
Methods of evaluationBest two 250-word directed responses to first term poems, handed in to Professor Percy by Tuesday 12 noon before Wednesday’s class – this will start after week 3 (5%), two short essays, one due on November 13th (12.5%), the other on January 22nd (10%); two short-answer tests, one a take-home due December 4th (10%), and one in class on March 5th (12.5%); one in-class essay on February 12th (10%), contribution to a group presentation during second term (10%), informed, intelligent, consistent participation in class and (when it's up) on the course bulletin board (5%), final examination on Wednesday 7 May, 2003, from 7-10 pm, in Varsity Arena South End (=VAS) (25%).
Course objectives My aims are for youPoems will be taken from The Norton Anthology of Poetry, 4th edition, unabridged, ed. Margaret Ferguson, Mary Jo Salter, and Jon Stallworthy (New York and London: W.W. Norton and Company, 1996), and from the course home page, http://cpercy.artsci.utoronto.ca/courses/eng201-2002.htm
Required readings for each unit will be taken from Stephen Adams, Poetic Designs: an introduction to meters, verse forms, and figures of speech (Peterborough: Broadview Press, 1997), and from books on short-term reserve (Robarts Library, 3rd floor), particularly Paul Fussell's Poetic Meter & Poetic Form, revised edition (New York: Random House, 1979).
You must also have access to a handbook of literary terms (M.H Abrams, for instance), to a good desktop dictionary and to the Oxford English Dictionary: https://www-oed-com.myaccess.library.utoronto.ca/
For access to the OED, you may need a "proxy server account": see http://www.library.utoronto.ca/services/libraryusers/proxy.html
Good online resourcesRepresentative poetry online: http://www.library.utoronto.ca/utel/rp/intro.html
Literature online: http://lion.chadwyck.com
Glossary of poetic terms: http://www.library.utoronto.ca/utel/rp/poetterm.html
Representative poetry's bibliography of print resources: http://www.library.utoronto.ca/utel/rp/bibliography_2001.html
Modern American poetry: http://www.english.uiuc..edu/maps/index.htm
There is online advice about writing essays as well as specialized kinds of documents like application letters.
Giving an oral presentation for the first time? Check out a guideline prepared by Counselling and Learning Skills, and some links for graduate students in English on giving oral presentations.
ENG201Y (L5101, Percy): Schedule:
*Caedmon's "Hymn" (1)
*Beowulf-poet, ["The last survivor's speech"] (7)
Reassurance: I do not expect you to understand the Old English!!
Think about the effects of some of the techniques...
If you're curious about Old English versification, there's a good essay on "The nature of Old English verse" by Donald G. Scragg in The Cambridge Companion to Old English Literature, ed. Malcolm Godden and Michael Lapidge (Cambridge: Cambridge UP, 1991): conveniently, there's a copy on short term loan at Robarts (3rd floor), call number PR 173 C36. The chapter not only outlines the techniques, but demonstrates some of their effects in some other excerpts from Beowulf.
"Now goth sonne under wod" (13)
"Sumer is icumen in" (13)
"Fowles in the frith" (16)
*"I sing of a maiden" (63)
"The Corpus Christi carol" (67)
*"Western wind" (68)
If you'd like to consolidate your knowledge of the ME lyric, you might enjoy Daniel Ransom's article on "Lyric" in Medieval England: an encyclopedia, ed. Paul E. Szarmach, M. Teresa Tavormina, and Joel T. Rosenthal (New York: Garland, 1998), and following other links -- "Carol", "Sumer canon", etc. It's in the reference sections at the Robarts, Pratt (Victoria), Kelly (SMC) and PIMS libraries.
Larkin, "The trees" (1548)
*Snyder, "Four poems for Robin" (1707) (probably no time,
but read…)
Chaucer, [the Nonne, ll 118-164], "The General Prologue", The Canterbury Tales (19-20)
Chaucer, "To Rosamond" (52)
Charles d'Orleans, "The smiling mouth" (62)
*From Pearl (55)
"The Unquiet Grave" (88)
*"Mary Hamilton" (91)
*Keats, "La belle dame sans merci" (842)
Randall, "Ballad of Birmingham" (1747)
Howard, "The soote season" (123)
Surrey, "Love, that doth reign and live within my thought" (123)
Wyatt, "The long love, that in my thought doth harbor" (113)
*Wyatt, "They flee from me" (115)
Wyatt, "My lute awake" (117)
*Skelton, from Colin Clout (76)
Marlowe, "The passionate shepherd" (233)
Ralegh, "The nymph's reply" (140)
*Sidney, "Ye goatherd gods" (188)
Drayton, "A roundelay between two shepherds" (213)
Spenser, "Prothalamion" (181)
Spenser, Amoretti 75 (169)
Sidney, Astrophil and Stella 90 (199)
Shakespeare, Sonnet 55 (and 65) (237)
Spenser, Amoretti 15 (167)
Sidney, Astrophil and Stella 71 (197)
Shakespeare, Sonnet 130 (240)
Unit 2: Figures of Speech (for another few weeks). Please read and reread chapter 4 of Adams, Poetic Designs (Peterborough: Broadview Press, 1997) –in class we’ll be looking for examples and effects of some of the specific figures.
Shakespeare, Sonnet 146 (241)
Donne, Holy Sonnet 5 (287)
Herbert, "The flower" (342)
Milton, "When I consider how my light is spent" (378)
*Marvell, "A dialogue between the soul and body" (434)